by Russ Nolan Jazz Tactics by Chase Sanborn Writing a ‘How To’ book that is both educational and entertaining is a monumental challenge. Most read like an appliance manual and are prescribed for insomnia. It is the genius who makes the complex simple and Chase Sanborn
Read more →by Russ Nolan (note: if the manuscript is not clear in full-screen mode, you may try to rewind or you can download the .pdf file here: A La Interperie-Joel Frahm Solo Transcription A Complete Conversation in Jazz by Joel Frahm Again, with his permission, I would like to share one
Read more →by Russ Nolan (note: if the manuscript is not clear in full-screen mode, you may try to rewind–worked for me– or you can download the .pdf file here: Joel Frahm-Short Rack Solo-Smalls Live ) Short Rack Tenor Solo by Joel Frahm With his permission, I would like to
Read more →by Russ Nolan Jazz Composition and Improvisation: The Melodic Development of Sonny Rollins More Oleo Examples from Part 2: Link to this post!
Read more →by Russ Nolan Jazz Composition and Improvisation: Melodic Development of Sonny Rollins’ Oleo Let’s take Sonny Rollins’ classic, ‘Oleo’ as a musical example. I picked Oleo for two reasons: 1) It is an example of melodic development in itself, and 2) It’s common to just ‘run changes’
Read more →by Russ Nolan Jazz Composition and Improvisation: Two Speeds Composition and Improvisation are one and the same, just at different speeds. Composition is Improvisation out of time and Improvisation is Composition in real time. Every piece of music is a penned improvisation and every improvisation is a
Read more →by Russ Nolan Teaching Jazz As A Language: Using the Bebop Scale for Longer Phrases If the students show a basic understanding of the Blues Scale, I will move on to the Bebop Scale. One of the dividing lines between high school jazz students and college jazz
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